Spider Jam™ comes pre-loaded with the tones that made the Spider family so popular: 200+ artist-based presets, 150+ song-based presets and 12 fully adjustable Line 6 original amp models.

Just like most of us, each Line 6 original amp model has a light side and a dark side. Or, in some cases, a dark side and darker side…
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SOUNDS:

GUITAR
• 200+ artist-created presets
• 150+ song-based presets
• 36 user-programmable presets
• 12 custom amp models from Clean to Insane
• Seven Smart Control FX

1. Chorus/Flanger
2. Phaser
3. Tremolo
4. Delay (with Tap Tempo)
5. Tape Echo (with Tap Tempo)
6. Sweep Echo (with Tap Tempo)
7. Reverb

VOCAL/AUXILIARY
• Effects plus preamps, compressors and three-band EQ


HARDWARE:

• Integrated chromatic tuner
• 12" Custom Celestion® speaker
• 2" tweeter for full-range audio playback of backing tracks
• 75-watt power section
• Fully compatible with FBV Express™ and FBV Shortboard™ pedals

LOOPER:

• Up to 24 minutes of CD-quality recording time
• 100+ Endless Jam tracks and drum loops

INS + OUTS:

INS
• Mini stereo MP3/CD input for playing along with your music
• XLR mic input with a dedicated volume knob perfect for vocals
• 1/4" aux input perfect for a second instrument including keyboard or bass

OUTS
• 1/4" headphone out/POD® 2.0-style direct out for practicing with headphones or direct recording
• Routable RCA outs for playing full-range backing tracks through your home stereo
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SPIDER JAM AMP MODELS

*Red Clean Crisp, shimmering clean tones and warm jazz tones.

*Green Clean Glassy clean tones like those from the late 60s/early 70s. Inspired by* a ‘73 Hiwatt® Custom 100.

*Red Twang Classic, glassy high-end with some snap and bite. Inspired by* a Fender® blackface ’65 Twin Reverb® and a blackface ’64 Deluxe Reverb®

*Green Twang Swingin’ rockabilly tone a la vintage tweed. Inspired by* a ’53 Fender® tweed Deluxe Reverb®, a ’58 Fender® tweed Bassman® and a ’60 Gibson® Explorer

*Red Blues From gritty, swampy clean tones to syrupy smooth drive tones. Inspired by* a mix of a ’65 Marshall® JTM-45, a ’58 Fender® Bassman®, a ’63 Fender® Vibroverb and a Supro®

*Green Blues Early British rock tone made famous by the Beatles the Stones. Inspired by* a fawn Vox® AC-30 with an updated and expanded tone control circuit

*Red Crunch Classic crunchy tone popularized by many early metal bands. Inspired by* a '68 Marshall® Plexi 50-watt

*Green Crunch The infamous brown sound inspired by* a ‘68 Marshall® Plexi 100-watt with a few added extras: jumped input channels and a Variac transformer

*Red Metal Tight and punchy high-gain sound. Inspired by* a Mesa/Boogie® Dual Rectifier®

*Green Metal Aggressive high-gain sound. The mid knob sweeps the tone spectrum: set to minimum for fuzz-pedal characteristics; set to noon for creamy, modern high-gain; crank it for “Class A” carnage

*Red Insane Famed and feared bone-crushing, brain-piercing grind. Inspired by* the Mesa/Boogie® Dual Rectifier® red channel.

*Green Insane Short of a complete meltdown, as much input-gain distortion as possible while retaining tonal definition and character.
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To get the best possible sounds, we’ve compiled a roster of ridiculously good A-list session players and recorded them at amazing studios around the country including Steve Vai’s studio, The Mothership, as well as Sound Asylum in Canoga Park, California and Sound Emporium’s Studio B in Nashville, Tennessee.

Here are a few choice cuts:

LOOP #108: BLUES STOMP

VIBE: Gregg counts off this slammy stomp that comes complete with thumpy bass and triplet chorus.
FEATURING: Tal Morris (guitar), Tony Franklin (bass), Gregg Bissonette (drums)

LOOP #126: DRIVING ROCK

VIBE: Palmed bass and guitar start off this big, highway-inspired thump. The chorus gets huge when it opens up!
FEATURING: Tal Morris (guitar), Tony Franklin (bass), Carmine Appice (drums)

LOOP #100: OUTLAW COUNTRY CLUB

VIBE: A smooth, twangy, mid-tempo bounce inspired by the greats of outlaw county. Jam along to solid rhythms and a sweet chord progression.
FEATURING: Brent Mason (lead guitar), Dave Pomeroy (bass), Steve Turner (drums), John Hobbs (keyboards), Pat Bergeson (acoustic guitar), Paul Franklin (steel guitar)

LOOP #101: OUTLAW COUNTRY

VIBE: Solo or comp along with just bass and drums in this stripped-down country jam.
FEATURING: Dave Pomeroy (bass), Steve Turner (drums)

LOOP #157: SUGARFOOT RAG

VIBE: Perpetually ready for liftoff, Dave and Steve hold down this rodeo rag perfect for strummin’ or chicken pickin’.
FEATURING: Dave Pomeroy (bass), Steve Turner (drums)

LOOP #112: HALF-TEMPO ROCKER

VIBE: Starting off with an explosive drum fill, this jam’s got a wide, roomy drum sound, stiletto guitars and dirty bass.
FEATURING: James Santiago (guitar), Tony Franklin (bass), Carmine Appice (drums)

LOOP #103: SWING ROCKER

VIBE: Pulsing, gritty bass and tight hi-hats really push along this jam. The feel is solid and right in the pocket.
FEATURING: Tony Franklin (bass), Simon Phillips (drums)

LOOP #150: WALKING JAZZ

VIBE: Light and airy but dynamic with Tony’s walking bass as the backbone. Hear Gregg switch from sticks to brushes!
FEATURING: Tal Morris (guitar), Tony Franklin (bass), Gregg Bissonette (drums)

LOOP #117: GRUNGE JAM

VIBE: Blistering, gritty and ferocious! Everybody’s just pounding away in this tight and brutal rock onslaught.
FEATURING: Tal Morris (guitar), Tony Franklin (bass), Gregg Bissonette (drums)

LOOP #098: RED GROOVE 1 and 6

VIBE: Layers of rhythmic texture put the swing in this jam that’s just begging for solos.
FEATURING: Dave Pomeroy (bass), Steve Turner (drums)

LOOP #105: AMOS GROOVE 3 and 4

VIBE: An R n’ B-flavored bass line and funky beat make this jam ideal for tightening up those major 7th chords.
FEATURING: Dave Pomeroy (bass), Steve Turner (drums)